Showing posts with label deleted scene. Show all posts
Showing posts with label deleted scene. Show all posts

Blog Tour: Conspiracy of Blood and Smoke by Anne Blankman | Deleted Scene | Giveaway



Welcome to our stop on Conspiracy of Blood and Smoke tour for Elisa Ludwig. This tour is hosted by The Fantastic Flying Book Club Tours.

Conspiracy of Blood and Smoke
Prisoner of Night and Fog #2
Author: Anne Blankman
Reading Level: Young Adult
Genre: Contemporary
Released: April 21st 2015
Review Source: Balzer + Bray

The girl known as Gretchen Whitestone has a secret: She used to be part of Adolf Hitler’s inner circle. More than a year after she made an enemy of her old family friend and fled Munich, she lives with a kindly English family, posing as an ordinary German immigrant, and is preparing to graduate from high school. Her love, Daniel Cohen, is a reporter in town. For the first time in her life, Gretchen is content.

But then, Daniel gets a telegram that sends him back to Germany, and Gretchen’s world turns upside-down. And when she receives word that Daniel is wanted for murder, she has to face the danger she thought she’d escaped-and return to her homeland.

Gretchen must do everything she can to avoid capture and recognition, even though saving Daniel will mean consorting with her former friends, the Nazi elite. And as they work to clear Daniel’s name, Gretchen and Daniel discover a deadly conspiracy stretching from the slums of Berlin to the Reichstag itself. Can they dig up the explosive truth and get out in time-or will Hitler discover them first?


Deleted Scene

I’m not going to lie: I enjoy reading a romantic sexytimes scene. Who doesn’t, right?  So when I started writing Conspiracy of Blood and Smoke, I thought a lot about whether or not Gretchen and Daniel would do the deed. After all, by the time the sequel opens, they’ve been together for almost a year and a half and, more importantly, they genuinely love each other. When I discussed it with my editor, though, we decided an intimate scene between the two characters wouldn’t ring true, given the time period they’re living in and everything they’re going through during the book. So, just for all of you reading this post, I decided to write an extra scene. When you read the book, it should be easy to figure out exactly where this part would happen. Without further ado, here’s what I think the first time between Gretchen and Daniel would be like …

“Did you mean what you said before—about loving me?” He looked up, the intensity in his eyes surprising her. 
“Of course. Daniel,” she said when he let out a loud sigh and looked down, the muscles in his throat working as he tried to swallow. “Don’t you know I’ll love you forever?”

For a moment, he didn’t reply. “I wasn’t sure,” he said at last. “Nothing has seemed the same since we came to Berlin. There’s been this new distance between us. I don’t want to lose you.” His voice shook. “I’ve already lost everything else. I can’t bear being apart from you, but I can’t figure out how to keep us together when we want such different things.” 
Something in Gretchen seemed to break. She pressed her face into the warm curve of his neck, breathing him in. He was solid and alive and here with her, although death surrounded them on all sides. In an instant, either of them could be dead, cut down as suddenly as Fräulein Junge had been. Daniel’s eyes would glaze over, his chest would stop rising and falling, his body turned to a shell. 
One second, and they would be gone. If life was so precious, why should they deny each other their love? Everything that she had thought was so important was still important—jobs and families and schooling and friends—but somehow she couldn’t bring herself to care how they would work them out. All she was knew was a life without Daniel would be a half-
life. His absence would turn the world gray. 
She drew back and looked at him. In the dimness of the bedroom, his face seemed grave. But beautifully familiar, each part of him that she memorized long ago: the glimmers of gold in his brown eyes, the sharp sweep of his jaw, the curve of his mouth. She laid her hand on his cheek, so she could feel the heat of his skin. 
“Daniel,” she whispered, “you’re the miracle of my life.”
He smiled then, such a free, easy smile that she felt her heart expanding in her chest until she thought her ribs would break. When he pressed his lips to hers, the room seemed to fall away, and the police wagons rumbling over the cobblestones; the swastika banners snapping in the breeze; the prostitutes snorting cocaine; the thunder of Hitler’s voice in the Sportpalast; the tinkle of glass as SA men smashed shop windows. I don’t want to forget anything, she’d thought when the prostitutes had offered her the white power, and as she twined her arms around Daniel’s neck, she knew she had been right. She didn’t want to forget anything, the beautiful and the blessed, the painful and the pitiless, none of it, because each moment had molded her into the person she was now and had brought her to this place with her lips on Daniel’s in a kiss that seemed to go on and on. 
The silver-lined darkness closed around her and Daniel until she was aware only of his hands and mouth. When the pain came, she had expected it, but she hadn’t known how sharp and sudden it would be. She gasped out Daniel’s name. 
“I’m here.” He kissed the side of her face. “I’ll be right beside you, always.” 
They moved past the pain until her insides were coated with gold. No more alone and unsure, but connected and stronger. She stopped struggling against herself and surrendered at last. 



Anne Blankman may have been meant to be a writer because her parents named her for Anne of Green Gables. She grew up in an old house with gables (gray, unfortunately) in upstate New York. When she wasn't writing or reading, she was rowing on the crew team, taking ballet lessons, fencing and swimming. She graduated from Union College with degrees in English and history, which comes in handy when she writes historical fiction.

After earning a master's degree in information science, Anne began working as a youth services librarian. Currently, she lives in southeastern Virginia with her family. When she's not writing young adult fiction, she's playing with her daughter, training for races with her husband, working at her amazing library branch, learning to knit (badly), and reading.

Anne Blankman is the author of PRISONER OF NIGHT AND FOG, the first in a three-book deal slated for publication in spring 2014 from Balzer + Bray | HarperCollins. She is represented by Tracey Adams of Adams Literary.


GRAND PRIZE: Win a signed ARC of PRISONER OF NIGHT AND FOG and a signed ARC of CONSPIRACY OF BLOOD AND SMOKE (US Only)
FIRST PRIZE:  Win (1) of (2) signed ARCs of CONSPIRACY OF BLOOD AND SMOKE (US Only)

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What To Do Before #TrialByFire by Josephine Angelini Release September 2nd!



I'm sure you have seen my review, tweets and mentions that TRIAL BY FIRE is one of top favorite reads of 2014. This book by Josephine Angelini (Author of the Starcrossed series) got hold of me and didn't ease up at any point in time. I laid in bed until I finished it and still weeks later, I can't stop thinking about the book. 

I STRONGLY recommend everyone to read this book when it releases September 2nd.  You might not be a fan of stories that deal with witches, witchcraft and magic but neither was I, until TRIAL BY FIRE put a trance on me. Check out my review of Trial by Fire HERE.

Now here are somethings you can check out before Tuesday's release. They have shared deleted scenes on the Trial by Fire website. Here are links to each section. Plus check out the Author & book trailer below and you can click on the book cover to be taken to Amazon to pre-order (read the first 6 chapters for free). 








Trial by Fire
The Worldwalker Trilogy #1
Release Date: Septmeber 2nd 2014
Publisher: Feiwel & Friends

 

This world is trying to kill Lily Proctor. Her life-threatening allergies keep her from enjoying experiences that others in her hometown of Salem take for granted, which is why she is determined to enjoy her first high school party with her best friend and longtime crush, Tristan. But after a humiliating incident in front of half her graduating class, Lily wishes she could just disappear.

Suddenly, Lily is in a different Salem—one overrun with horrifying creatures and ruled by powerful women called Crucibles. Strongest and cruelest of them all is Lillian . . . Lily's other self in this alternate universe.

In Josephine Angelini's Trial by Fire, what makes Lily weak at home is what makes her extraordinary in New Salem. In this confusing world, Lily is torn between responsibilities she can't hope to shoulder alone and a love she never expected.



Blog Tour: A Little Too Hot | Lisa Desrochers | Deleted Scene | Giveaway



Welcome to our stop on the A LITTLE TOO HOT blog tour for author Lisa Desrochers. Today Lisa shares with you all a deleted scene. You can view full tour schedule here.

The content is a little bit too HOT, so we are letting you know the material is suitable for adults 18 years or older to read.  NSFW.



Deleted scene set up: In an early draft, Jonathan’s apartment mate, Kevin (who is also the drummer in his band), played a bigger role. Here is his first appearance before he got the editorial ax.

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Blog Tour: Anastasia Forever Deleted Scenes Tour + Author Guest Post


Welcome to the next stop on the Anastasia Forever Deleted Scenes Blog Tour. Anastasia Forever is part of Joy Preble's Dreaming Anastasia Series. The series contains Dreaming Anastasia (#1), Haunted (#2) and Anastasia Forever (#3). Today we bring you a deleted scene that Joy had originally envisioned for Anne and Ethan. Enjoy! 


Joy Preble Links: BlogGoodreadsFacebookTwitter



What’s Love Got to Do with It?: The Anne/Ethan Romance

Joy Preble

The guiding force of the DREAMING ANASTASIA series is the relationship between Anne and Ethan. Anne knows from the second she catches blue-eyed Ethan stalking her at the ballet that there is just something about him. And in fact, he proceeds to turn her life upside and sideways because it is Ethan who peels back Anne’s normal world and reveals a world of Russian fairy tales brought to life, of a hidden princess and an illegitimate royal son driven by vengeance. When they touch – and I always knew that their story would begin with a physical touch setting things in motion—everything changes.

Anne is no longer just the girl who dances ballet and goes to school and mourns the death of her brother to cancer. She is a girl with power to save a princess, power to right ancient wrongs and ultimately, the power to break a curse that is holding her birth grandmother captive. But power comes with a steep price. And when Anne accepts Baba Yaga’s bargain so she can save Ethan in book 2, she steps into the witch’s forest in a way she has up until then refused to do. Of course, I wanted her to do this for love, even if she has trouble admitting that’s what it is.

This is problem for Anne and Ethan: they do not come easily to loving each other. Or rather, Ethan comes easily to loving Anne, even if he feels that he does not deserve her or a second chance at life. Which is exactly what she gives him when she rides out of the witch’s forest with Anastasia, allowing Ethan to regain his mortality. While Viktor yearns to live forever, Ethan wants only to have what he lost for a cause that was never what he believed it to be: to live and die in the proper time. That he has found the love of his life makes him both deliriously happy as well as guilty as hell.

And Anne, well, she’s a smart girl. Even when she’s not, she has Tess watching her back, making sure she sees things as they are. Anne sees loving Ethan as an impossibility. He is too old even if he looks young. He has secrets and a long, long past. She is only sixteen. And yet I think she loves him from the moment he tells her his story. But she holds back; she is indecisive. In fact, these traits hurt her in all aspects of her life. She has trouble committing. Ethan, on the other hand, is an all-in kind of guy.

So what did I do to these two? I made them inhabit a reverse fairy tale. It is Anne who ends up saving Ethan over and over. It is Anne who is the hero. And ultimately, it is Ethan (no spoilers for book 3 quite yet) who needs redemption and forgiveness before he and Anne can be together. A happily ever after, but hard won. And not without suffering and sacrifice. This is after all, a Russian fairy tale. No one knows endurance like the Russians.

And so it goes: Ethan and Anne, circling and circling love, each running from the other, each doing the hero’s job. The question becomes, will they figure out that they belong together before it’s too late?

Of course they will!

But with these two, love isn’t simple. I think that makes them equal parts of smart and stupid. Not forbidden love. Not crazy love where the passion burns out everything else—and I think we all need some of that in our lives.

When Anne and Ethan finally figure out that they belong together, it will be a love that entwines them like two puzzle pieces, marveling at how perfectly and easily they fit. And how foolish they were not to know it.



Here is a bit of background on the scene from Joy:

“The Anastasia Forever deleted scene is my favorite. I had originally envisioned Anne turning into a full blown Baba Yaga much earlier. And so I wrote this scene where she and Ben and Tess and Ethan all go to that Swedish film festival, but in the middle of the story. And there's all this wonderful tension and just at the moment that Ben decides to confront Anne about Ethan and her feelings, Anne realizes that smelling Ben's cologne is making her hungry. Really hungry. And well, she almost eats him. And after that much wackiness ensued. But in the end, I didn't go this route. But it is fun to see what might have been had my editor seen it.”

DELETED SCENE from Anastasia Forever:

     We stop at the base of the Grand Staircase - all pretty marble and elegant looking. I’ve always loved those stairs – regal in a way that most things aren’t these days. Once when I was five, David chased me up and down the stairs until we were both red-faced and out of breath and Mom was pissed that we wouldn’t settle down and let her show us the paintings. The stairs were more fun.

     “My stomach hurts,” Tess observes.

     “It should,” Ben comments testily. “You just ate your body weight in Red Vines.” Then to all of us: “Coffee’s in the other building if that’s what you want.” Since we walked into the lobby, he’s been directing his comments sort of generally into the air.

     “In a minute. Let’s run to the top. I need to stretch.” I don’t wait for group agreement, just lope up the stairs and assume they’ll follow me, which after a few beats, they do.

     On the second floor landing, I stretch my arms into classic ballet third position – arms over my head, elbows rounded, palms inward but fingers not touching. My gladiator sandals aren’t the best footwear for this, and I’m wearing a pair of gray cargo pants and a short white tee – hardly ballet clothes - but that’s okay. Until I’d started back subbing at Miss Amy’s, I’d forgotten in the mess that is my life, how much I love dance.

     “Your form needs work,” Tess says. She rises up on her toes as much as she can in her black Chucks and skinny jeans and pirouettes around me. She’s a way better dancer than I am these days, even goofing around. Of the two of I us, I’d always been more focused and disciplined. Not any more.

     “Coffee?” Ethan asks again. “Wasn’t that the plan?” I know he thinks this is a waste of time – and also dangerous since everything’s at risk for girls who make bargains with witches. Ben needs to man up and move on. But I can’t just push Ben under the metaphor bus like that, and I’m sure he knows this.

     I ignore his cranky tone and try out my arabesque - also in need of some serious work.

     “Let’s get that coffee.” It’s Ben’s turn to sound cranky. He beckons toward the stairs. “You know that first movie won an award at Sundance. It’s really--”

     “Your after shave is really strong.” The comment pops out of nowhere and I feel my cheeks redden. What a stupid thing to say. But suddenly the smell of his cologne is all I can think of. My stomach rumbles, embarrassingly loud. Maybe I should have had some of that popcorn.

     I jump on the coffee train. “You know what? A latte would be great right now.”

     I’ve just spent almost four hours trying not to fall into a coma while watching Swedish people look unhappy and occasionally have sex in metro bus stations and in one instance, a barn. My fingers feel all tingly. My skin feels sticky and clammy. Am I having a panic attack?

     Other museum-goers stream around us. The light overhead through the huge skylight dims noticeably. I look up. Thick gray clouds. The faint sound of thunder rumbles. My heart kicks into overdrive. Am I about to throw up? Maybe it’s the flu.

     “You want to talk,” Ben says. “So let’s talk. You’re right. I can’t keep pretending all those things didn’t happen. I dream about them, you know that? Your boss, Mrs. Benson? Those things – those mermaid things – they surrounded her. I heard them breaking her into pieces. You know that, right?”

     “Ben.” I’m feeling sicker now, but I try to focus. But Ben doesn’t want to be interrupted. He glances at Ethan - something dangerous brewing in his eyes and the set of his jaw.

     “Outside,” I gasp. What the hell is wrong with me?

     “Anne?” Ethan’s voice rises above the buzzing in my head, but I ignore him, too.

     I turn and stumble down the stairs. My ears are ringing. Or is it just the thunder getting louder? I shouldn’t be doing this. But I can’t seem to think of anything but putting distance between myself and Ben. In my head, I see us a few weeks ago – my hands burning his face. Me running then, too, and calling Ethan.

     I’m in the lobby now, shoulder against the heavy front doors of the Art Institute. Out onto the cement landing and then down the stairs - running onto Michigan Avenue. It starts to rain – small drops that get larger and fatter, falling on my head, my face, my hands. Even in my panic – it is pure panic right now, mixed with something else I can’t identify – I wonder if it’s somehow me that’s making it rain.

     “Anne!” All three of them are calling my name – Ben and Tess and Ethan. The sound of it echoes in the air around me.

     On the sidewalk, standing between the two huge lion statues that flank the Art Institute steps – the ones David and I used to love to shimmy so we could straddle their backs while Dad snapped pictures - I force myself to stop. This is ridiculous. Why am I running? What is it that I’m afraid of? My heart skips then steadies, then skips again. That weird feeling skates the inside of my stomach.

     I turn. Ben’s reached me first and he puts his hands on my shoulders. His hair is wet from the rain and a drizzle of water inches down the side of his face.

     “Should I be afraid?” he asks, his face serious now, his brown eyes locked on mine.

     It’s the question that sparks everything inside me like a lit match falling on dry wood. Not What’s wrong? or What do you need? But “Should I be afraid?”

     “Ben,” I say slowly because I understand now what’s happening and I don’t know if I can stop it. “I think you need to run. I think you need to do it now.”

     He stares at me like I’m crazy. “What are talking about?”

     “You need to get away from me,” I say again, but I can see that he’s not going to. That even after everything he’s seen, he still doesn’t get it. “Oh God, Ben. Go. Ethan!” I look blindly around me and even though I’m sure Ethan is right there, my vision is red and hazy and I can barely make him out. “Oh no. Ethan. You have to--”

     I’m her then, not completely, but more Baba Yaga than me. Her power stretches inside me, a spiderweb of fury. I clench my fists; try to hold it back.

     Ben doesn’t get it yet – how could he? He presses a hand to my cheek, palm against my skin.

     “You’re burning up,” he says. And all I can think is how good he smells. How good he’ll taste.

     Ben pulls his hand back. I lean toward him, my face close to his. Someone – Ethan maybe? Maybe him and Tess? – tries to pull me back, but I’m too strong. I hold my ground. Watch the confusion in Ben’s eyes.

     No one should underestimate your power, says a voice inside me that sounds like Baba Yaga’s.

     Anne, says another voice that I think is Ethan. Don’t. Don’t give in to it. Hold on.

     “I can’t.”

     “Can’t what, Anne? Anne, are you okay?” Ben sounds scared.

     I try to stop. I really do. But I can’t. Or maybe I don’t want to. This scares me more than the sound of Ben’s voice.

     Lightning, I think.

     It shears through the sky.

     Thunder, I think.

     It crashes overhead.

     Roar, I think.

     And the two lion statues open their mouths and howl.

     I press my lips to Ben’s. Will him not to pull back. His eyes widen as I sink my teeth into his lower lip – hard, then harder - until I draw blood. I lick it from his lip. Swallow. My stomach muscles ripple, seize, ripple again. My jaw loosens; the bones pop. My breath comes in ragged gasps. Pain. Red hot and everywhere.

     “Anne!” I hear my name again. “Anne.”

     My jaw loosens some more. I press my lips shut, a tight seam, desperate to stop it. My teeth dig into my lower lip so hard that blood starts to trickle. The taste of it mingles with the taste of Ben. The combination is suddenly the best thing I’ve ever tasted. I’m not just hungry anymore. I’m ravenous.

     Understand crashes through me. No. God no. If I open my mouth, it will unhinge like hers. I know it. I know it. It’s not Ben’s cologne. It’s just Ben. He smells so good because he smells like food. And if someone doesn’t do something right this second, I’m going to eat him whole.


The books are available on Amazon: Dreaming Anastasia • Haunted • Anastasia Forever

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